- Home >
- Music Department
- > Patrick Dailey
Patrick Dailey has been described as possessing “a powerful and elegant countertenor voice” (Los Angeles Daily News) and a “VOCAL STANDOUT” (Boston Classical Review). His artistry was identified early through the nationalNAACP ACT-SOCompetition (2005 and 2006), theNFAA ARTS, andGrady-Rayam Prize In Sacred Musicof theNegro Spiritual Scholarship Foundation. Dailey made his professional operatic debut withOpera Saratogaas the first countertenor member of the company's Young Artist program and was the first countertenor invited toOpera New Jersey's Victoria J. Mastrobuono Emerging Artist program. Operatic repertoire includes Oberon in Britten'sA Midsummer Night's Dream, Nerone in Monteverdi'sL'incoronazione di Poppea, and Belize in Eötvös'Angels in America.He performs regularly withHarlem Opera Theater,ALIAS Chamber Ensemble,Memphis Symphony Orchestra, and has appeared with theMid-Atlantic Symphony Orchestra, theFayetteville Symphony Orchestra(NC),Soulful Symphony,Arkansas Philharmonic Orchestra, andBaltimore Symphony Orchestra.On January 19, 2009, Mr. Dailey sang a featured duet with Aretha Franklin as the finale for the annual Let Freedom Ring Celebration at theJohn F. Kennedy Center for the Performing Arts.Additionally, he has been a featured artist withCook, Dixon, and Young(formally Three Mo’ Tenors) since 2012.
Mr. Dailey his west coast operatic debut as Satirino in Cavalli’sLa CalistowithPacific Opera Projectof Los Angeles in 2014. The following year,he debuted withOpera Memphisin their historic first production of Purcell’sDido and Aeneasandwon first place inOpera Ebony’s 1st Benjamin Matthews Vocal Competition. Later that year, Mr. Dailey performed the opening invocation for the2015Trumpet Awardsin Atlanta, GA,the invitation ofTrumpet Foundationfounder/CEO and Civil Right legend, Xernona Clayton.
In the summers of 2015 and 2016, Mr. Dailey was a young artist with theAmerican Bach Soloists. Soon after hesang the world premiereFrederick Douglas: The Making of an American Prophetcomposed byGrammy Award winning country songwriter Marcus Hummon and debuted with theMemphis Symphony Orchestraunder the baton of Robert Moody.Additionally in 2016, Mr. Dailey made international debuts in the UK and Brazilian premieres of Hasse’sMarc’Antonio e Cleopatrawith theWoodhouse Opera FestivalandIl Festival de Ópera Barrocade Belo Horizonteandhe made his Subculture NYC debut at the invitation of Tony Award winning composer Jason Robert Brown as a part of Brown’s broadway cabaret residency. In the spring of 2017, he debuted withOpera Louisianeas Telemaco in Michael Borowitz’s world premiere jazz-gospel orchestration of Monteverdi’sIl ritorno d'Ulisse in patriaand debuted with theGrand Rapids Symphonysinging Bernstein’sChichester Psalmsunder the baton of Michael Christie. Soon after,Mr. Dailey returned to the U.K. that fall for the international premiere of Soosan Lolavar’sI.D. Pleasein theTete a Tete New Opera Festivalin London. In the fall of 2018, he sang the role of Mini-B/Boris the Boar in the world premiere of Dan Visconti and Cerise Jacobs’sPermadeath: A Video Game OperawithWhite Snakes Projectsin Boston, MA to great acclaim. Mr. Dailey became the first countertenor to appear withShreveport Operasinging Kyle in Robert Paterson’sThree Way: Masqueradein 2019. The remainder of his 2018/2019 season included debuts and appearances with theAustin Baroque Orchestra,IRIS Orchestra,Music By Women Festival, andBoston Early Music Festival. Since then, Mr. Dailey made debuts with the Chicago Philharmonic and Missouri Symphony, was a featured soloist at the 2020 ACDA Southern Regional Conference, and debuted at the historic Ryman Auditorium. The recent 2021/2022 season included debuts with Bourbon Baroque, Nashville Symphony, Gotham Early Music Scene’s Open Gates Project, and the Shenandoah Valley Bach Festival.
Mr. Dailey is featured inFatherhood, a documentary directed by award winning London based director, Ben Gregor, which premiered onFUSE TVin 2019. Heis also a featured on recording projects such as the debut album of acclaimed duo and super producersLouis York(Chuck Harmony and Claude Kelly),American Griots(2019), Adrian Dunn’sRedemption Live in Chicago(2020), and the self-titled release fromThe AeoliansofOakwood Universityunder the direction of Dr. Jason Max Ferdinand (2020).Most recently, Mr. Dailey was featured on season 17 of America’s Got Talent with Metaphysic as the operatic singing voice on Terry Crews in a performance Simon Cowell referred to as the “best of the series”.
Growing in his reputation as a scholar, Mr. Dailey was invited to theCenter for Black Music Research's inaugural Black Vocality Symposium in 2013 giving a performative presentation entitled "The Anatomy of the Black Voice: Peculiarities, Challenges, and Regional Differences". Since that time, he been Artist-in-Residence, masterclass clinician, and guest lecturer atSouthern University,Prairie View A&M University, theUniversity of Arkansas, New England Conservatory, andVanderbilt Universityamong others. Mr. Dailey was lead soloist and vocal music curator of the officialMLK50Commemoration at theNational Civil Rights Museumin2018 in Memphis, TN. In the fall of 2019, he presented at the inauguralHarry T. Burleigh Weekorganized by theBurleigh Legacy Allianceof Burleigh’s hometown of Erie, PA and regularly presents lectures and programs in conjunction with the organization. In June 2020, Mr. Dailey curated and presented a virtual clinic and webinar entitled “A Stirring in My Soul: The Negro Spiritual and Social Justice Movements” presented by theNational Museum of African American Music.He is also visiting artist-in-residence at St. Luke’s Episcopal-Germantown (Philadelphia, PA) and recently premiered his curated concert, Sankofa Project: A Journey Through Black Music and Artistry in presented by Opera Philadelphia and Price Fest
.
Mr. Dailey is a 2012 graduate ofMorgan State Universityand received his master of music fromBoston University.He currently serves on the voice faculty of鶹ý wherehe established theBig Blue Opera Initiatives (BBOI)and the annualHarry T. Burleigh Spirituals Festival. Additionally, he is the founding artistic director of theW. Crimm Singers (aka Wakanda Chorale), professional ensemble in residence of BBOI, and is a co-founding member of historically informed progressive, crossover ensemble,Early Music City.
Mr. Dailey serves on the boards ofALIAS Chamber Ensemble, theInternational Florence Price Festival,Nashville Rep, and the Artistic Planning Committee of theNashville Symphony.He also serves ascommunity project curator withIntersection Contemporary Music Ensembleand creative arts coordinator of theNAACP-Nashville Branch.A passionateadvocate for Historically Black Colleges and Universities and education, he is a consultant on HBCU initiatives withOpera America serving on it’s Learning and Leadership Council, Early Music America, andNew Music USA, as well as an artist ambassador of the Music Inclusion Coalition, and heads Black Opera Alliance’s Education Taskforce. He is on the faculty of theNarnia Festival of Narni, Italyleading a program on African American Concert and Sacred Music, and is the program director of theNashville Opera- HBCU Fellowship,an HBCU initiative of the the company in partnership withTSU and Fisk University. Dailey was named to the 2020 class of theNashville Black 40 Under 40 andhe was recognized for Outstanding Service from theCoalition for African Americans in the Performing Artsof Washington, DC. Additionally, he is a 2020 recipient of an Individual Artist Fellowship from the Tennessee Arts Commission.
Mr. Daileyholds membership in theNational Association of Negro Musicians, theNational Association of Teachers of Singing, the American Choral Directors Association, andPhi Mu Alpha Sinfonia Fraternity of America, inc
To find out more about Mr. Dailey, visit .
Patrick Dailey, M.M. (he/him/his)
Instructor of Music-Voice
Director ofthe Big BlueOpera Initiatives
Faculty Advisor, Phi Mu Alpha Sinfonia
of America, inc. Eta Xi Chapter
鶹ý
Department of Music
3500 John A. Merritt Blvd.
Nashville, TN 37209
pdailey@tnstate.edu